Why Anthony Hopkins’s Whole Career Led Him to Freud’s Last Session | by David Canfield, Vanity Fair
A dive into Anthony Hopkins's career to explain his role in Freud's Last Session. "Inevitably, these elder roles have provoked head-on confrontations with mortality, and Hopkins hasn’t shied away from the theme in his work. Yet none of those dramas can quite prepare viewers for what he brings to Freud’s Last Session, a film explicitly about preparing for the end of one’s life—and reflecting on all that came before it."
Anthony Hopkins, Matthew Goode Debate the Existence of God as Sigmund Freud and C.S. Lewis in ‘Freud’s Last Session’ Trailer | by Abbey White, The Hollywood Reporter
Introducing the trailer for Freud's Last Session.
Watch Anthony Hopkins channel Sigmund Freud in Freud's Last Session trailer | by Dustin Nelson, Entertainment Weekly
Introducing the trailer for Freud's Last Session.
‘He changed my life’: Tom Hiddleston, Rachel Weisz and more on Terence Davies | by Catherine Shoard, The Guardian
In memoriam Terence Davies, director of Benediction.
Anthony Hopkins Plays Sigmund Freud in ‘Freud’s Last Session,’ First Look Revealed | by Manori Ravindran, Variety
A first look into feature film, Freud's Last Session, as it reaches its final stages of filming in Ireland.
2022 in Review: The Best Movies of 2022 | by Richard Brody, The New Yorker
The New Yorker's 2022 in Review: The Best Movies of 2022 includes feature film, Benediction, at the top of the list.
Terence Davies on the Cruelty of Gay Life and Why ‘Benediction’ Is His Best Film | by Ryan Lattanzio, IndieWire
Interview with Terence Davies. "Sassoon is played by Jack Lowden, who elegantly embodies a disillusioned man’s artistic journey, and is given a one-take final shot that would make 'Call Me By Your Name' jealous."
Benediction Review | by Alan Ng, Film Threat
Review of feature film, Benediction, after its screening at the San Francisco International Film Festival. "If you like tragedies, hop on board the Benediction train. I say this somewhat facetiously, but I was drawn to the aimless character of Siegfried Sassoon. He was a man looking for happiness, but his sour demeanor toward life seemed to attract all the wrong people, leading him to chase the idea of happiness rather than being happy."
European Cinema Giant Vue and BFI Unite to Bring More British, International Films to U.K. Screens | by Manori Ravindran, Variety
Announcement of partnership between European cinema giant Vue and the British Film Institute with feature film Benediction kicking off the programming.
Summer Movies Preview | by Richard Brody, The New Yorker
The New Yorker's list of upcoming films, with inclusion of feature film, Benediction.